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![wanderwoman > Alphones Mucha - By the time of his death, Mucha's style was considered outdated. However, his son, author Jiří Mucha, devoted much of his life to writing about him and bringing attention to his art. Interest in Mucha's distinctive style experienced a strong revival in the 1960s (with a general interest in Art Nouveau)[4] and is particularly evident in the psychedelic posters of Hapshash and the Coloured Coat, the collective name for two British artists, Michael English and Nigel Waymouth, who designed posters for groups such as Pink Floyd and The Incredible String Band.
In his own country, the new authorities were not interested in Mucha. His Slav Epic was rolled and stored for twenty-five years before being shown in Moravsky Krumlov and only recently has a Mucha museum appeared in Prague, run by his grandson[2].
It has continued to experience periodic revivals of interest for illustrators and artists. It is a strong acknowledged influence for Stuckist painter Paul Harvey whose subjects have included Madonna and whose work was used to promote The Stuckists Punk Victorian show at the Walker Art Gallery during the 2004 Liverpool Biennial.[5] Comic book artist and current Marvel Comics Editor in Chief Joe Quesada also borrowed heavily from Mucha's techniques for a series of covers, posters, and prints. Deathgrind band Soilent Green used a picture by Mucha for the cover of their album Sewn Mouth Secrets.[6]
One of Mucha's paintings, Quo Vadis or alternately Petronius and Eunice, was the subject of a legal dispute in 1986. The judgment handed down by Richard Posner describes parts of Mucha's life and work biographically.[7]
Among his many other accomplishments, Mucha was also the founder of Czech Freemasonry
http://en.wikipedia.org/wiki/Alphones_Mucha#Legacy](http://wanderwoman.smugmug.com/Art/Art-That-I-Love/1009138/324903854_Jva8r-Ti-1.jpg "wanderwoman > Alphones Mucha - By the time of his death, Mucha's style was considered outdated. However, his son, author Jiří Mucha, devoted much of his life to writing about him and bringing attention to his art. Interest in Mucha's distinctive style experienced a strong revival in the 1960s (with a general interest in Art Nouveau)[4] and is particularly evident in the psychedelic posters of Hapshash and the Coloured Coat, the collective name for two British artists, Michael English and Nigel Waymouth, who designed posters for groups such as Pink Floyd and The Incredible String Band.
In his own country, the new authorities were not interested in Mucha. His Slav Epic was rolled and stored for twenty-five years before being shown in Moravsky Krumlov and only recently has a Mucha museum appeared in Prague, run by his grandson[2].
It has continued to experience periodic revivals of interest for illustrators and artists. It is a strong acknowledged influence for Stuckist painter Paul Harvey whose subjects have included Madonna and whose work was used to promote The Stuckists Punk Victorian show at the Walker Art Gallery during the 2004 Liverpool Biennial.[5] Comic book artist and current Marvel Comics Editor in Chief Joe Quesada also borrowed heavily from Mucha's techniques for a series of covers, posters, and prints. Deathgrind band Soilent Green used a picture by Mucha for the cover of their album Sewn Mouth Secrets.[6]
One of Mucha's paintings, Quo Vadis or alternately Petronius and Eunice, was the subject of a legal dispute in 1986. The judgment handed down by Richard Posner describes parts of Mucha's life and work biographically.[7]
Among his many other accomplishments, Mucha was also the founder of Czech Freemasonry
http://en.wikipedia.org/wiki/Alphones_Mucha#Legacy")
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